“At moments, this story feels like a vehicle for big conversation, with one hot-button issue segueing into the next. But each conversation is so vital, and so thoughtfully had, that I quickly stopped dramaturging and just started listening.

This is an exceptional company of actors. As Leah, Mattos dives headfirst into the warranted rage of the perpetually silenced and it is powerful to watch. Eric Lindahl’s Tom is passionate and vulnerable, uncomfortable and exposed. What a joy it is to see a man dig into those things onstage. And through David Coupe’s Cal, we experience a reckoning. We feel the cost of these big, heavy conversations and how profoundly necessary they are. There is something really special happening in the basement of the Apollo. I strongly encourage you to see it.”

— NewCity Stage